One of his most famous pieces, "Woman Combing Her Hair" (1915) resides at MoMA. This piece is one of the best examples of his concavity utilized in full effect. The woman's face only exists as negative space, carved out of her hair. One of her breasts and both thighs are sculpted inward, as well as her shins. As MoMA notes, "protruding elements seems to recede and internal features to advance," resulting in a truly unique method of representation.
"Seated Female Nude" 1909-1911, The Hirshhorn
Archipenko began using mixed media in what eventually became known as "sculpto-painting." For the most part, he used clay and wood and then painted on top in acrylic. Below are some examples found at MoMA and The Guggenheim.
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